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Narrow-band solar imaging is both challenging and rewarding. Looking through one of these marvels is amazing but, taking a picture to show others is beyond cool.

Many (like myself) start with the family camera and then, after a little success, move on to dedicated astronomical instruments.  Either way it will come down to try and try again. No matter which way you choose to share the sun, remember my motto -  it's a hobby, keep it fun!

Imaging

CCD

The main advantage of astronomical CCD cameras is that they offer the ability to image the entire disk of the sun with just one shot. Large chip sizes are available and high dynamic range allow you to capture both disk detail and prominences with one click.

After adjusting for focus, I usually take (called "grab") around 10 monochromatic images with the SBIG ST-2000 at shutter speeds between .001 and .040 seconds without a neutral density filter or at  .04 and .08 with one.  I save as a .fits file.  Pick the one that has the sharpest focus and open it in PhotoShop.

Video

Lumenera ScreenDespite the small chip sizes, video and webcams offer you the ability to capture many frames over a short period of time and stack them together to reduce the effects of the atmosphere. Real time viewing is a major plus. You simply align the feature of the sun you're interested in and click the capture button. Once saved, RegiStax will align, stack and sharpen your image for you. Next stop PhotoShop.

Processing the sun in Adobe PhotoShop

For the disk, I’ll first process it with Filter | Sharpen | Unsharp Mask and get it as clear as possible without causing artifacts to appear. The radius is set to 1.0 pixel and the threshold to zero. It's pretty simple, open Unsharp Mask and move the slider.

 Using UnSharp Mask

Next, under Image | Adjustments | Levels, I’ll adjust the mid-tone point slider to darken the disk detail and then the white point slider to brighten any active regions. Don’t worry about the prominences at this point.

Adjusting Levels

Once you’ve got it where you like it, use the wand tool (press W) to select the disk and copy the image. Click directly on the edge (limb) of the Sun. Right mouse click on the Sun and click Select Inverse. Next select Edit | Copy. I usually set the wand tolerance (at the top of the page) to 10 to capture as much of the limb as possible. It also helps click Select | feather and feather the highlighted disk. Set the feather radius to 1.0 pixel.

 I’ll open another copy of the raw image and process the prominences the same way. You’ll probably only use the white level slider. The disk will be completely overexposed but it makes no difference. Get them as sharp and bright as possible.

Processing Proms

Edit | Paste the processed disk image onto the processed prominence (or as another layer) and align them with the move tool (V) and keyboard arrows or further with Edit | Free Transform. Select Layer | Flatten image and save.

Aligning the Disk Image

Colorizing

For the color, I switch to Image | Mode | RGB color mode and open the Image | Adjustments | Curves function. Use the drop down list and adjust each channel individually. Click and drag the Red channel up and left, Green down and right. Blue down and far right. You’ll have to experiment with the settings to find a color you like but that’s half the fun!

Color Adjustments

You can also go back and play with the Image | Adjustments | Hue and Saturation or Image | Adjustments | Color Balance and try different settings.

Comparison for Solar Imaging

CCD Pros

Large chip sizes for whole disk
Fast shutter speeds
Small pixel sizes (more details)

Cons

Expensive

 

Webcam Pros

Inexpensive
real time viewing (wysiwyg)
Excellent for individual features

Cons

Small chip size

Test Images

Here are three raw solar images to test your processing skills. Each one is a 1Mb TIFF. Right mouse click on the image and select "Save Target As". Have fun!

   

Get a copy of Adobe PhotoShop CS2 here (320 MB download):

http://www.adobe.com/products/photoshop/

Click here for a comparison of CCD and Digital Camera Imagery 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 © Greg Piepol